A lady swaps our bodies with a chair. That’s the film. And someway, it’s even weirder than it sounds. Each second of By design is drenched in an eerie, off-kilter power that’s arduous to shake.
I spent a lot of the movie in a state of bewilderment, muttering to myself, “What the hell am I watching?” However on the identical time, I couldn’t look away. It’s absurd, ridiculous, and totally dedicated to its strangeness.
The story follows Camille (Juliette Lewis), a girl whose existence is outlined by the individuals round her utilizing her as an emotional sponge. When she turns into obsessive about a chair she will’t afford, one thing unexplainable occurs—she turns into the chair. And surprisingly sufficient, everybody round her appears to choose her that manner.
The author and director of the movie, Amanda Kramer, leans into the surreal with offbeat dialogue, awkward performances, and a dreamlike environment that makes every part really feel simply… unsuitable.
The performances, significantly Lewis and Mamoudou Athie as a pianist who unknowingly inherits Camille’s new type, lean into the odd rhythm, making each interplay really feel unusual and hypnotic.
Because the story unfolds, it solely will get weirder. It’s an summary meditation on identification, objective, and society’s tendency to worth objects greater than individuals—although generally, it simply seems like nonsense.
Sure moments are thought-provoking, others hilarious, and a few simply baffling. The movie doesn’t appear significantly involved with making sense, however I suppose that’s a part of its appeal.
It throws out bonkers concepts at each flip, leaving you to resolve whether or not you’re watching one thing deeply profound or simply utterly ridiculous.
By the tip, I had no thought what I used to be supposed to remove from By design, aside from the sheer expertise of it. It’s the form of movie you watch simply so you’ll be able to speak about how insane it’s.
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